London Design Festival highlights – installations

The curtain has now closed on London Design Festival for 2016. London certainly pulled out all the stops to showcase
its talented citizens and remarkable ability to bring together talent from
across the globe.  It’s a creative city at the best of times but during
the festival it really comes to life through the various design districts and
landmark projects.  Anyone with an interest in design should try to make
it part of their calendar of events and exhibitions. Where it gets tricky is
deciding what is going to make your selection out of the 400+ events, talks,
workshops and installations. I had a chock-a-block schedule and I didn’t even
see 10% of the possibilities and it wasn’t just me running from one place to
another in a desperate bid to fit it all in.


A major feature of the Festival each
year is the ambitious programme of special projects and installations centred
at the
Victoria & Albert Museum the Festival’s
official hub. The series of installations were totally arresting and were accompanied
by some truly splendid talks.

official image: Ed Reeve

My favourite was Foil
by Benjamin Hubert of Layer Design.
The
20m long structure bathed the room in dappled light created from the 50,000
metal panels representing the deconstructed head of a Braun razor. It was an
ethereal experience that took my breath away – especially as I saw it with just
10 other people including
Benjamin Hubert. There was
also the most soothing loop of music playing and the tapestry room is climate controlled,
this combination totally played with my senses and my emotions. Really
intelligent and satisfying design.

Another beautiful installation at the
V&A was
Glithero’s Green Room in
collaboration with luxury watchmaker Panerai
 filling the 17.5m
high stairwell with colourful silicon cords.

Installations
happen all over London during LDF and in various disguises. Some of my
favourites found out and about included the below.

official image: AHEC

The Smile by
Alison Brooks, Arup and AHEC broke new ground as the largest ever CLT (cross
laminated timber) structure. 

Lee Broom’s East
London studio became a mirrored cave for his Op-Art inspired lighting. It was part Alice in Wonderland part Yayoi Kusama – even down to the striped confections!

One of the most talked about installations was the fashion/craft/design hybrid of the Makers House by Burberry and The New CraftsmenWith
a programme of activities and installations inspired by Virginia Woolf’s
Orlando the Makers House brought skilled craftspeople and artisanal excellence
out into the open.

The
destination shows don’t forget to include an installation or two in their
offerings.  Here Dinesen showed off their beautiful planks at Designjunction – these aren’t even half the possible length.

The actual
streets of London weren’t left out either.  
Camille Walala applied her signature
graphic style to a pedestrian crossing in south London commissioned by
BetterBankside and Transport for London to create the Colourful Crossing for
Southwark Street.

So
why are these unconventional and sometimes “out-there” installations so important? It’s
the intersection of art, design, fashion and inspired thinking. They
hopefully break new ground and allow for design to progress by opening the dialogue between thoughtful
design, innovative material use and provocative subject matter. But above all else they make for very pretty viewing.



If
you weren’t able to make the events and installation of this years London
Design Festival there are still a few things you can go and visit.  The Smile (above top) in the courtyard of the
Chelsea College of Art and Design is open until 12th October,
Camille Walala’s BetterBankside crossing is in situ on
Southwark
Street
and the Blend exhibition at Aram Gallery runs until October 29th.






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2 Comments

  1. September 30, 2016 / 8:17 am

    Thanks for sharing Mary. All things I didn't get to see during LDF!

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